Last Building Burning Download (WAV)
The fifth full-length studio album from Cloud Nothings
Last Building Burning is the product of eight days with producer Randall Dunn (Sunn O))), Wolves in the Throne Room, Boris) in Texas studio Sonic Ranch. Clocking in just over half an hour, the eight-song album sees Cloud Nothings capture their onstage appeal with help from Dunn, who Dylan Baldi describes as “technically minded without relying on technology to perfect the live sound.”
After touring behind last year’s Life Without Sound, the first pop-leaning record Cloud Nothings recorded as a unit, drummer Jayson Gerycz, bassist TJ Duke, guitarist Chris Brown, and Baldi found themselves feeling stilted by an elongated recording process and hyper-polished sound. So the band used the songwriting process of albums like 2012’s Attack on Memory and 2014’s Here and Nowhere Else, which emphasizes dynamics, energy levels, and tempo. “We spent a lot of time talking with one another to nail that down,” says Baldi, “whether it’s getting quiet for two bars or filling the next bar with constant noise.” Given the fact that Baldi, Gerycz, and Brown live in a house together, with Duke mere minutes down the street, that near-flawless cohesion comes from jamming free of the restrictive structure of rented studio time. The fact that they can (and do) practice whenever they want to explains how Last Building Burning captures their insatiable hunger for live energy.
Last Building Burning plays like the meeting point of Cloud Nothings’ catalog. “On An Edge” continues the band’s tradition of bold opening tracks. A psychotic onslaught of guitars of drum fills, the song explodes when you least expect, earning the title of “the craziest song we’ve ever done” from Baldi. During “In Shame,” Brown splices guitar pans like a jouster who swapped their lance for a sword. Gerycz became a perfectionist for the subtly difficult drumming in “The Echo Of The World.” On slow burner “So Right So Clean,” Baldi adopts a stentorian way of singing. Even the feedback-filled drone of 10-minute number “Dissolution” maintains their trademark focus.
In that, Last Building Burning is a return to Cloud Nothing’s sharpest form — the unhinged, feverish, guitar-heavy sound that they explode with onstage — without their early angst. “It’s not an angry record,” says Baldi. “It’s a very joyous thing for me. And it feels so nice to scream again, especially when you know people in the crowd will be screaming along back at you.”