NO SCARE is the Wichita debut for Chicago's Health&Beauty, a band led by Brian Sulpizio and backed by keyboard player Ben Boye (Ryley Walker, Bonnie Prince Billy, Angel Olsen etc) and hugely in-demand jazz drummer, Frank Rosaly (Ryley Walker, Peter Brotzmann and many more). The album recalls the 70s sound of Neil Young (one song originally included a Neil Young lyric and melody which, alas, had to be removed), but with a more angular side, perhaps recalling Dirty Projectors - it's a wonderful showcase for the three musicians' amazing chops, from the urgent rush of opener "Back to the Place", through the title-track's afrobeat / highlife melodies to the beautiful, more gentle "Im Yr Baby (for Aaron Swartz)".
Back To The Place
Asunción & Dayanara
Im Yr Baby (for Aaron Swartz)
All pre-orders will receive an instant grat download Wartime.
Produced by S. Carey over 18 days last winter at April Base Studios in Eau Claire, WI, The King Of Whys is Owen’s most inspired and evocative thus far, interpolating a group dynamic into what has long been an intensely intimate sound. It also marks the first work in Kinsella’s two-decade-plus career to be made entirely outside of the greater Chicagoland area.
Where Owen’s prior outings were almost entirely performed by Kinsella on his own, Carey brought in some of the Badger State’s finest players to add new flesh to his bare-boned songcraft. Kinsella, as usual, is up front on guitar, vocals, bass, drums, and bells, accompanied by Carey (keyboards, vocals, drums, bells) and such WI musicians as Zach Hanson, who also served as engineer on the record, violist Michael Noyce, pedal steel guitarist/keyboard player Ben Lester, horns player Andy Hofer, and bassist Jeremy Botcher, all of whom share credits including Bon Iver, S. Carey, The Tallest Man On Earth and more. Together the combo crafts an expansive but still grounded backdrop for Kinsella’s candid confessionals.
For more than two decades, Kinsella has been a central figure in Chicago’s indie rock universe, serving multiple roles in a string of bands whose influence continues to resonate across a span of genres and musical approaches. A founding member – with his brother Tim – of Cap’n Jazz, Joan of Arc, and Owls, Kinsella’s own vision first manifested via American Football’s cathartic rock, but for most of the years since 2002, through Owen’s raw homespun offerings. Adopting the solo singer/songwriter persona freed Kinsella from a lifetime working in collectives, giving him complete control over every aspect of his creativity.
Owen’s lo-fi, largely acoustic bedroom recordings have evolved over eight albums and myriad EPs into a more orchestrated approach reflective of Kinsella’s growing strength as a songwriter. The sheer songcraft on The King of Whys more than warrants the expanded production, Kinsella dissecting his own foibles and familial relationships with caustic wit and a mordant sense of self-awareness. “Lovers Come And Go” and the elegiac “Saltwater” see the songwriter processing his experiences as he approaches the big four-oh, using his art to learn how to be a better father and husband.
The King of Whys also touches on universals like addiction with “Empty Bottle,” the place where so many long dark nights of the soul begin, whether it’s the venerable Chicago club or a just-finished fifth. Songs like “A Burning Soul” – a scathing looks at how his dad’s alcoholism has affected his own young family – and the closing “Lost” are haunting and poignant, alighting upon such common themes as love and loss, rebirth and redemption.
An intimate singer/songwriter album recorded under contemporary circumstances, The King of Whys utilizes progressive techniques, song structures, and time signatures, but Owen’s introspective humanity is timeless. Having made music for a very long time, Mike Kinsella continues to push himself towards transcendence with honesty, artistic ambition, and a sense of real circumstance.
The Desperate Act
Lovers Come And Go
A Burning Soul
Sleep Is A Myth
Orange vinyl edition - pressed on 180g transparent orange vinyl + includes a download code for the album. Limited to 500 copies.
"The King of Whys is never not magnificent." - Pitchfork
"Songs rarely adhere to one form, instead taking bits and pieces of Kinsella’s career and making them all sound fresh. It’s the kind of record that will appease Owen fans, but it’s lush enough--and inspired enough--to suggest that Owen is perhaps the best it’s ever been." - The AV Club
*"Throughout, the unifying characteristic is the richness and warmth of the sound, a million miles from the lo-fi of old; this is the prettiest Owen record to date, and there’s no shortage of strong contenders for that particular title." *- The Line Of Best Fit